Our first major unit in English Language Arts is short story reading. At this point in the year, I don't know a whole lot about my students as readers. I've gotten some info about books they read (or didn't read) over the summer, and I have standardized test scores from the previous spring. However, knowing how they dive into a text and construct meaning out of it is a complete mystery at this point in the year. I needed some sense of these kids as readers before I forged ahead.
The unit started out with a pre-assessment during which students read a story new to them, annotating in the margins as they read (see my previous post about annotations as assessment), and then answered summary, theme, and literary argument questions. As I was surveying these assessments, I noticed a few things about the annotations:
- Although annotating texts has been taught in previous years, and I emphasized doing it when I was giving instructions, about half of the students either did no annotations or they did minimal annotations.
- The annotations that were done were often confirming literal comprehension or asking questions about places where they were confused.
- The story we chose, "A Path Through the Cemetery" by Leonard Q. Ross, has a twist at the end that is easy to understand if the reader is paying attention to details and can make inferences. Very few students caught the ending correctly and fully.
- I got a lot of insight about students as readers from the annotations that I didn't necessarily get from the follow-up questions. I discovered who made inferences as they went along, who connected to other texts or the world, who did word fix-up work, and who was confused throughout (and didn't do anything to fix up their confusion).
There seems to be a logical cause-effect relationship in the above noticings: Without annotations, students didn't read closely enough nor pause in their thinking enough to understand deeper meaning. However, I still wasn't sure whether the problem was that students didn't see the point of annotating, and therefore, didn't stop to do it even though they were constructing meaning all along, or that they weren't digging deeply enough in their reading to construct meaning. Without annotations, I couldn't decipher the problem.
image from Amazon.com |
So I tackled both at once, and taught them a strategy I found in Dorothy Barnhouse and Vicki Vinton's What Readers Really Do: Teaching the Process of Meaning Making (Heinemann, 2012). They suggested a two-column note-taking chart that tracked what was said in the text, and what that text meant, or "subtext". The idea is that readers pay attention to not just the literal meaning in the text, but that readers also track the implications: character motivations; what the author is showing about mood, traits, relationships; tone; connections between events and characters, etc. Doing this work gets readers to the deeper levels of inferring and synthesizing that are necessary for more complex texts like those encountered in 8th grade and beyond. Here is an excerpted example from my Reading Notebook which I used as a model for the students:
Throughout the unit, I saw students doing more and more text/subtext work in their notebooks. Some were still using it as a way to restate the literal meaning, but more and more were making inferences from the details they captured. It became a great launching point for conferences because their reading thinking was visible to me.
By the post assessment, a repeat of the pre-assessment but with a new story, their annotations were much more complete and deeper, showing the subtext and not just restating what was already there. Many more students annotated than the first time as well. This allowed them to really dig into the inferred meaning, and their follow-up answers were much richer because of it.
My next step is to have them reflect on how doing annotations helped them understand stories better. I hope that will also bring home the purpose for stopping and jotting, so that they will continue to use it as we tackle more complex texts in English Language Arts, and also in Social Studies.
What strategies do you use to get kids to dig deeper into their reading comprehension? How do you make that thinking visible?
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